Quantcast

Andrew Stanton on Influences, Biblical and Otherwise, on "WALL-E"

Christianity Today has posted an interview with WALL-E director Andrew Stanton, directly addressing some of the biblical references and inspirations that made their way into the movie, as well as discussing how Stanton’s faith was expressed in the film. Among other things, Stanton discusses how female lead robot EVE’s name was not an accident and […]

"WALL-E" Takes $63.1 million in Debut Weekend; Panda's Kung Fu is Still Strong

On its debut weekend, Disney/Pixar’s WALL-E took the top spot in the weekend box office race with an estimated $62.5 million in ticket sales. Analysts had expected an opening in the $50-60 million range. The results are tied with Monsters, Inc. to be Pixar’s third biggest opening, sitting right behind The Incredibles ($70.5 million in […]

Vancouver Sun on the Genesis of "WALL•E"

The Vancouver Sun has taken a look into the making of WALL•E, the Disney/Pixar movie which opens this Friday. The article notes the happy coincidence that brings the movie out just in time to capitalize on a growing environmental awareness, and chats with director Andrew Stanton about the long path from idea to screen with […]

NY Times and Boston Globe on "WALL•E" and Director Andrew Stanton

The New York Times has taken a look at WALL•E, the upcoming Pixar film (free registration required), noting that the tough sell of a rat chef in last year’s Ratatouille pales in comparison to marketing, “a $180 million post-apocalyptic, near-silent robot love story inspired by Charlie Chaplin.” Director Andrew Stanton is interviewed about the inspirations […]

WALL•E to Join Disney Theme Park Casts; Director Stanton Interviewed

The Screamscape website is reporting that a life-sized animatronic version of WALL•E, the lead robot character in the upcoming Disney/Pixar movie, will begin appearing at Disney theme parks in the United States. The 3-foot tall robot should be joining Disney’s iconic characters in time for the release of WALL•E in late June 2008. (via Toon […]

Newsarama Interviews Leslie Iwerks on "The Pixar Story"

Newsarama’s Animated Shorts column has interviewed Leslie Iwerks, director of the documentary film The Pixar Story and granddaughter of legendary Disney animator Ub Iwerks. The younger Iwerks discusses how she became a filmmaker, how she was selected to direct The Pixar Story, her opinions on the senior management and employees of Pixar Animation Studios, and […]

Giacchino, "Ratatouille" Composer, Profiled in USA Today

USA Today profiles and interviews Oscar nominee Michael Giacchino, who wrote the score for Ratatouille. Giacchino made stop-motion animated home movies as a child, the article notes. He also moved sideways into composition, getting a job in the marketing division at Disney Interactive before segueing over into music-writing for games and ultimately for TV and […]

AP Asks Why "Ratatouille" Isn't a "Best Picture" Nominee

Jake Coyle of the Associated Press poses the question whether Disney/Pixar’s Ratatouille was squeezed out of the running for this year’s “Best Picture” Academy Award simply because it was an animated film. Coyle notes that the movie’s broad category of nominations “suggests the kind of broad consensus that often results in bigger awards like best […]

Brad Bird Talks Oscar Nominations for "Ratatouille;" Animators Weigh In on Oscars

The Oregonian has spoken with writer/director Brad Bird about the multiple Oscar nominations for Ratatouille, noting that award nominations are the “icing on the icing” of the work itself but also adding that “you don’t get too blase about the Oscars.” The article also speaks to Portland-area animators Joan Grantz, Will Vinton, Joanna Priestley, and […]

GhibliWorld Talks to Enrico Casarosa on Studio Ghibli's Influence on Pixar

GhibliWorld.com has published Cartoon Brew about how Studio Ghibli, and specifically the work of director Hayao Miyazaki, has affected the films made by Pixar Animation Studios. Casarosa discusses how he discovered Miyazaki, how Miyazaki’s films have affected his work personally and the work of the studio, the differences between American and Japanese animated movie production, […]

Single Sign On provided by vBSSO