Belch's
Brief Reviews (Jan. 22) DR.
BELCH
Sat., Jan. 27, 2001 15:46:21
X-MEN: "Middleverse". After running afoul of Mystique's goon squad
and smashing his holographic watch, Nightcrawler poofs himself into
a hidden basement room, which promptly blows up. He and Rogue discover
some strange gizmo that, when activates, zaps him into an alternate
universe that seems to be a few seconds out of phase with reality.
Okay, the concept isn't new. I've seen it in both an episode of
Aladdin and in Stephen King's "Langoliers", and in both cases better
done. Though it made for a couple of mildly amusing moments when
Toad Tolansky, mad over Principal Mystique's callousness in running
over the bug he was going to eat for lunch (geez, kid, the food
in the caf isn't *that* bad, is it?), avenges himself by zapping
all her office furniture and her car into the middleverse.
In the middleverse, Nightcrawler meets up with the guy who created
the middleverse--who in the Fox series was an older guy in the future
and had a prosthetic leg, *not* the credibility-stretching Swiss
army arm shown here. He's been trapped in his other world since
1978, meaning he's missed about three presidents, a sexual revolution,
AIDS, a war or two, and the death of disco.
Rogue's allegiance is still in question. Though she will help the
X-Men, she calls Blob and Avalanche and Toad her "friends". She
remains ambivalent, the ultimate X variable. I still think the writers
do her a great disservice with (a) the raccoon-eyes harlot eyeshadow
and (b) a Texas accent when she's obviously a Louisana girl.
Cyclops and Nightcrawler sum it up perfectly in two lines:
C: You know, we're not the only mutants in this school.
N: No, just the cool ones.
Which gets to a point someone here made a few weeks ago: the lines
between "good" and "bad" are too clearly drawn, almost like saying
light-skinned minorities are better than dark-skinned ones (or vice
versa). The good mutants have no real self-doubt, no bittersweet
or Pyrric victories. Their biggest concern is whether or not they
can get an invite to the hottest rave at some popular senior's rave.
Ah, to be 16 and innocent again.
The young inventor? Well, he plans to go back home. Of course, after
20 years his parents may be dead or have moved. No laments over
all the girls he's loved grown up and with high-school-age kids
of their own, or his favorite candy store on the corner boarded
and dead. No consideration to time marching on and being out of
step with the rest of the world. Simply a saccharine ending that
makes my bicuspids tingle.
POK JJ: "Tanks a Lot!"
Team Rocket has a new toy: an Arbok-shaped tank. They don't have
it for long, though, because when they aren't looking Togepi and
a new Johto Pokemon who looks like some odd cross-breed between
a rabbit, a raccoon, and one of Roger Hargreave's Mr. Men commandeer
the wheel and go on a joyride. I couldn't help but think of that
Simpsons ep where Bart, high on a Ritalin derivative, stole a tank
and went on a similar bender.
Watch Jesse and James in this one. Here we see them as a pseudo-married
couple, with James in the part of the spendthrift wife who p*sses
away the money and gorges on bon-bons, and Jesse as the domineering
husband. The climax is when James, on his knees, begs her for mercy
for spending every cent they have *yet again* on some cockamamie
contraption.
Again, it seems TR is at its best when they grudgingly work with
Team Twerp for a common cause--stopping the tank from destroying
everything in its path or itself.
Watch the bit with the unifoms--Brock as Schwartzkopf and Misty
and Ash in Desert Storm camouflage, plus Jesse and James decked
out in WWII regalia. Also look for Jesse in a Dugtrio suit (which
is interesting but not as much as the Snorlax costume in "Snack
Attack").
Watch also while Ash and co. are napping, and you'll see Pikachu
snuggle up next to Ash's butt, just like a dog does its master.
Your cute moment for the day.
If TR decides to ditch crime, they may have a future in construction,
judging from the access tunnel their tank dug into the mountain.
Not exactly rocket scientists, though--I mean, when the tank hit
meltdown, they should have cut their losses and not tried to board
it.
ZETA: "The Accomplice".
All in all, a fair to mediocre debut. Two major nits: (a) in the
Batman Beyond ep "Zeta", Zeta supposedly exploded and was declared
dead by the authorities. He was free and clear. So why try to contact
the guy who's looking to destroy him by phone and tell him where
he is? That's like Richard Kimball phoning Lt. Gerard and saying
"Take me in!"
(b) the cred card generator. It's too deux ex machina, and if the
serial numbers on the thing are traceable, the feds can track Zeta
and Ro every time they make a purchase. It's like robbing a bank
and spending stolen money.
Ro's a cute kid, but somehow she doesn't stike me as hardened street
girl. More like the daughter of wealthy parents who just decided
to ditch the high life and slum it a while.
It's a notch above "Brats of the Lost Nebula" and below "Static
Shock". It'll last a season, maybe. I expect, as ratings sag around
show 6 or 7, for Terry McGinness to pop in for a crossover cameo.
SS: "Bent Out of Shape".
As I watched this I found myself thinking that we had another Bang
Baby villain with a musical angle, like Rubber Band Man. Turns out
that Stringer *was* RBM, with a new face and new identity--and dating
Sharon.
So watching your sister fool around with a wanted felon is *not*
#1 on Virgil's hit list, and even worse is having the elastic b*st*ard
try to unmask Static. Add to it a couple of Bang Baby bounty hunters,
a Thing-like goon and a girl with acid halitosis, and life just
got more complicated.
How could Virgil not see through RBM's disguises? I mean, a purple
satellite dish, a purple trash can, a purple vacuum cleaner, a purple
couch...he may be a hero, but the boy's eyes must be painted on.
Funny bit--the dog attempts to relieve itself on RBM.
By the end we see a more sympathetic side of RBM...more victim than
villain, really, who lets his obsessions and hot temper get the
best of him. Hopefully the love of a good woman--and intensive therapy
three times weekly--can redeem the irredeemable.
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