I tell you that for a reason. When they looked at the Rescue Rangers, it was a team of animals, Gadget was already in it, there was a chameleon, Monterey Jack was in it but he was named something else. The lead character was Kit Colby, a mouse who was an Indiana Jones type of guy, complete with the leather jacket and the fluffy collar. They went, “We love the idea of the show, but your main character doesn't have it.” I said “Is it because they're not familiar, you're just seeing them for the first time?” “No, we got Bubba Duck and this Robo Duck, I understand his personality.” Jeffrey said, “Guys, it's just not a home run yet.”
The meeting went on a little longer and we're saying Duck Tales is a big success, what other Disney characters can we work with? You don't want to do Mickey or Goofy, but there's Pluto and all that. Finally, I said, “There's Chip and Dale.” Eisner said, “
Great — put those guys in that show,” and Jeffrey says “home run.” That's why Chip and Dale's Rescue Rangers got done. When people pretend Michael has not a creative bone in his body, I'm sorry, I saw plenty of it. I haven't talked to him in 10 years or something, but back then he recognized that's the puzzle piece this thing needed, and then it moved forward like gangbusters.
It changed our development, because now instead of one hero you have this dynamic, which was well established and gave us lots of stories about how they interacted with other characters.
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