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  1. #1
    Moto Pete's Avatar
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    Fox Fall Schedule 06/07

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    FOX PRIMETIME SCHEDULE: FALL 2006 (All Times ET/PT)

    MONDAY
    8:00-9:00 PM PRISON BREAK
    9:00-10:00 PM VANISHED

    TUESDAY
    8:00-9:00 PM STANDOFF
    9:00-10:00 PM HOUSE


    WEDNESDAY
    8:00-9:00 PM BONES
    9:00-10:00 PM JUSTICE


    THURSDAY
    8:00-8:30 PM 'TIL DEATH
    8:30-9:00 PM HAPPY HOUR
    9:00-10:00 PM THE O.C.


    FRIDAY
    8:00-9:00 PM NANNY 911
    9:00-10:00 PM TRADING SPOUSES: MEET YOUR NEW MOMMY


    SATURDAY
    8:00-8:30 PM COPS
    8:30-9:00 PM COPS
    9:00-10:00 PM AMERICA'S MOST WANTED: AMERICA STRIKES BACK
    11:00 PM-MIDNIGHT MADtv
    MIDNIGHT-12:30 AM TALK SHOW WITH SPIKE FERESTEN


    SUNDAY
    7:00-7:30 PM FOOTBALL OVERRUN (COMEDY ENCORES)
    7:30-8:00 PM FOOTBALL OVERRUN (COMEDY ENCORES)
    8:00-8:30 PM THE SIMPSONS
    8:30-9:00 PM AMERICAN DAD
    9:00-9:30 PM FAMILY GUY
    9:30-10:00 PM THE WAR AT HOME


    FOX PRIMETIME SCHEDULE: BEGINNING JANUARY 2007
    (All Times ET/PT)


    MONDAY
    8:00-9:00 PM STANDOFF
    9:00-10:00 PM 24


    TUESDAY
    8:00-9:00 PM AMERICAN IDOL Performance Show
    9:00-10:00 PM HOUSE


    WEDNESDAY
    8:00-9:00 PM JUSTICE
    9:00-9:30 PM AMERICAN IDOL Results Show
    9:30-10:00 PM THE LOOP


    THURSDAY
    8:00-8:30 PM 'TIL DEATH
    8:30-9:00 PM HAPPY HOUR
    9:00-10:00 PM THE O.C.


    FRIDAY
    8:00-9:00 PM BONES
    9:00-10:00 PM THE WEDDING ALBUM


    SATURDAY
    8:00-8:30 PM COPS
    8:30-9:00 PM COPS
    9:00-10:00 PM AMERICA'S MOST WANTED: AMERICA STRIKES BACK
    11:00 PM-MIDNIGHT MADtv
    MIDNIGHT-12:30 AM TALK SHOW WITH SPIKE FERESTEN

    SUNDAY
    7:00-7:30 PM COMEDY REPEATS
    7:30-8:00 PM KING OF THE HILL
    8:00-8:30 PM THE SIMPSONS
    8:30-9:00 PM AMERICAN DAD
    9:00-9:30 PM FAMILY GUY
    9:30-10:00 PM THE WAR AT HOME



    2006-2007 FOX PRIMETIME SCHEDULE

    NEW SERIES SYNOPSES
    The following new dramas will premiere this fall on FOX:

    VANISHED (Mondays, 9:00-10:00 PM ET/PT): SARA (Joanne Kelly, "Whiskey Echo") is the beautiful young wife of prominent Georgia Senator JEFFREY COLLINS (John Allen Nelson, "24"), and she has gone missing. But before the FBI can solve the mystery of where she is, they first need to figure out who she really is. Through the eyes of Senior FBI Agent GRAHAM KELTON (Gale Harold, "Queer as Folk," "Martha Behind Bars"), ambitious reporter JUDY NASH (Rebecca Gayheart, "Nip/Tuck," "Harvard Man") and the distraught members of the Collins family, viewers will journey inside a sensational, mysterious national soap opera. Kelton, working with Agent LIN MEI (Ming-Na, "ER"), uncovers enigmatic clues that suggest Sara's disappearance may be part of a large, sinister conspiracy. Created by Josh Berman ("CSI: Crime Scene Investigation") and directed by executive producer Mimi Leder ("The Peacemaker," "Deep Impact"), VANISHED combines the investigative twists and turns of "CSI," the nonstop pace and tension of FOX's "24" and the scope of "The Da Vinci Code."
    PRODUCTION COMPANY: 20th Century Fox Television
    EXECUTIVE PRODUCER: Paul Redford
    CREATED BY: Josh Berman
    DIRECTOR/EXECUTIVE PRODUCER: Mimi Leder
    CAST: Gale Harold as Kelton, John Allen Nelson as Jeffrey, Joanne Kelly as Sara, Rebecca Gayheart as Judy, Margarita Levieva as Marcy, John Patrick Amedori as Max, Chris Egan as Ben, Robert Hoffman as Adam, Ming-Na as Lin Mei


    STANDOFF (Tuesdays, 8:00-9:00 PM ET/PT - in fall): There's no crisis situation they can't handle ... unless it involves each other. MATT FLANNERY (Ron Livingston, "Sex and the City," "House") and EMILY LEHMAN (Rosemarie DeWitt, "Cinderella Man") are the top-ranked negotiators in the FBI's Crisis Negotiation Unit (CNU). They're trained to talk their way through volatile situations. They're experts at knowing what makes other people tick. They're also sleeping together a secret that they agreed to keep to themselves, until Matt reveals it to the entire world during a tense hostage standoff. The public revelation causes friction between Matt, who relies on gut instinct, and Emily, an academic who analyzes every move. Their relationship also gets them into major trouble with their boss CHERYL CARRERA (Gina Torres, "Alias," "Firefly," "24"), head of the Los Angeles CNU, and raises eyebrows among their CNU colleagues, including intelligence officer LIA MATHERS (Raquel Alessi, "Ghost Rider"). While Matt and Emily really should be split up for being romantically involved, they're too valuable as a team. STANDOFF combines the relationship banter of audience favorites like "Moonlighting" with the adrenaline-paced suspense of hits like "24." The series advances a fundamental idea: that in life and in love, "Everything is a negotiation."
    PRODUCTION COMPANY: 20th Century Fox Television
    EXECUTIVE PRODUCERS: Craig Silverstein, Tim Story
    WRITER: Craig Silverstein
    DIRECTOR: Tim Story
    CAST: Ron Livingston as Matt, Rosemarie DeWitt as Emily, Michael Cudlitz as Frank, Gina Torres as Cheryl, Raquel Alessi as Lia



    JUSTICE (Wednesdays, 9:00-10:00 PM ET/PT - in fall): From Jerry Bruckheimer, executive producer of "CSI" and "Without a Trace," comes JUSTICE, an unflinching, behind-the-scenes look at the way high-profile cases are tried in the media age. JUSTICE features a dream team of four lawyers from disparate backgrounds who join forces to tackle the most controversial and newsworthy cases. With their unique skill sets and the power of forensic law, this formidable team becomes indispensable to the law firm of Turk, Nicholson, Tuller & Gaines. RON TURK (Victor Garber, "Alias," "Titanic") is the face seen on every media talk show in the country - and he wants it that way. He's great at landing a client, spinning a case and getting his way, but juries hate him. Standing behind Ron - as far away from the cameras as possible - is TOM NICHOLSON (Kerr Smith, "Charmed"), the heart of the firm. Tom is a brilliant litigator whose Everyman, earnest manner makes him Ron's alter ego. LUTHER GAINES (Eamonn Walker, "Oz"), famous in the African-American community, is well-connected, politically motivated and in possession of an uncanny ability to take a step back and assess the merits of a case from both the prosecution's and the defense's perspectives. ALDEN TULLER (Rebecca Mader, "The Devil Wears Prada") is a young, ambitious and brilliant clinician who approaches each case analytically, uncovering ways to destroy expert witnesses on cross-examination.
    PRODUCTION COMPANIES: Warner Bros. Television, Jerry Bruckheimer Television
    EXECUTIVE PRODUCERS: Jerry Bruckheimer, Jonathan Littman, Jonathan Shapiro
    EXECUTIVE PRODUCER/DIRECTOR: David McNally
    TELEPLAY BY: Tyler Bensinger, Jonathan Shapiro
    CAST: Victor Garber as Ron, Kerr Smith as Tom, Eamonn Walker as Luther, Rebecca Mader as Alden

    The following drama is scheduled to premiere in January on FOX:


    THE WEDDING ALBUM (Fridays, 9:00-10:00 PM ET/PT): From executive producers Andy Tennant and Wink Mordaunt ("Hitch," "Sweet Home Alabama," "Ever After") comes a series that captures the ups and downs of tying the knot through the eyes of the second-most important man in the room - the wedding photographer. TONY ZUTTO (Bruno Campos, "Nip/Tuck," "ER") is the guy everyone wants to capture their big day. But just because he's working every high-profile ceremony in town doesn't mean he'll be walking down the aisle himself anytime soon. Tony's near-celebrity status on the marriage circuit - combined with his own less-than-stellar family history - has turned him into a serial bachelor and consummate playboy ... at least until Tony hires new assistant MILLA CAVENDISH (Tara Summers, "Alfie"), a feisty and alluring young Brit. Unlike the carefree encounters Tony's had with his share of bridesmaids over the years, Milla and her comrades-in-arms, sassy roommate GRETCHEN (Eva Pigford, "America's Top Model") and photo lab tech BRUNO (Jayce Bartok, "Law & Order"), will keep Tony on his toes. Also keeping his wild ways in check are PETER (Ptolemy Slocum, "Hitch"), Tony's strait-laced half-brother and a minister to boot; Tony's gregarious father DANNY (Tony Lo Bianco, "Law & Order"), who is always ready to dispense a helping of advice along with the liquor he serves at his neighborhood bar; and GWEN (Ashlie Atkinson, "Rescue Me"), Tony's take-charge office manager. From the tempestuous rehearsal dinners and unorthodox ceremonies to the wild aftermaths and poignant family disasters, THE WEDDING ALBUM proves that things are definitely more interesting when every day at the "office" is the most important day of someone else's life.
    PRODUCED BY: Fox Television Studios and 20th Century Fox Television
    EXECUTIVE PRODUCERS/WRITERS: Andy Tennant, Wink Mordaunt
    DIRECTOR: Andy Tennant
    CAST: Bruno Campos as Tony, Tara Summers as Milla, Tony Lo Bianco as Danny, Ashlie Atkinson as Gwen, Jayce Bartok as Bruno, Eva Pigford as Gretchen, Ptolemy Slocum as Peter

    The following new comedies will join the FOX schedule this fall:

    'TIL DEATH (Thursdays, 8:00-8:30 PM ET/PT): 'TIL DEATH is a comedy about middle-aged EDDIE (Brad Garrett, "Everybody Loves Raymond") and JOY STAMM (Joely Fisher, "Desperate Housewives"), who are on day 8,743 of their marriage and have the battle scars to prove it. Their new next-door neighbors are young newlyweds STEPH (Kat Foster, "Law & Order") and JEFF WOODCOCK (Eddie Kaye Thomas, "Harold & Kumar Go to White Castle") - idealistic, passionate, adorable and married for all of 12 days. It's a show about new marriage versus old marriage, about keeping the romance alive - or at least staying together so you have someone to drive you to the hospital for your operations. Eddie is a cynical realist who considers himself an expert on most topics. A high school history teacher, he's learned well the lessons of history and applies the basic principles to his marriage: all fights are about power, land and resources - and women love to kill fun. A veteran of the marriage wars, Eddie freely gives his advice to the younger, idealistic Jeff, who's the new Vice Principal at Eddie's school. Of course, Eddie's little secret all along is that he loves Joy more than anything. And however brash and sardonic Joy herself appears, she loves Eddie right back.
    PRODUCTION COMPANY: Sony Pictures Television
    EXECUTIVE PRODUCERS/WRITERS: Josh Goldsmith, Cathy Yuspa
    DIRECTOR: Ted Wass
    CAST: Brad Garrett as Eddie, Joely Fisher as Joy, Eddie Kaye Thomas as Jeff, Kat Foster as Steph



    HAPPY HOUR (Thursdays, 8:30-9:00 PM ET/PT): Straight arrow HENRY BECKMAN (John Sloan, "The OH in Ohio") had it all: a great job, a perfect girlfriend and a sweet apartment. He was a big fish in the small pond of Amsterdam, Missouri. And then he let HEATHER (Brooke D'Orsay, "King's Ransom") talk him into moving to Chicago to work in her family business, where it all went wrong. In the space of one morning, Henry gets dumped by Heather, learns he can no longer work for Heather's uncle, and gets kicked out of their apartment. It's in this vulnerable state that he meets his new roommate, a vain, flashy, loveable rogue named LARRY CONE (Lex Medlin, "Still Standing"). Larry is a modern-day Dean Martin who is looking for a new protg to teach the wisdom of staying single and enjoying the good life. Larry's last roommate and best friend, BRAD (Nat Faxon, "Joey"), has gotten engaged to the shrew TINA (Jamie Denbo, "Must Love Dogs"), a cold and controlling fiance who's immune to Larry's considerable charm. Under Larry's tutelage, Henry begins to rebuild his life and goes to work for Larry's childhood friend AMANDA (Beth Lacke, "The Rest of Your Life"), a beautiful mess who's unsuccessfully trying to emulate her perfect ideal of womanhood, Kelly Ripa. Will Henry manage to hold onto his traditional values and remain a hopeless romantic? Or will Larry indeed "build a better Brad"?
    PRODUCTION COMPANIES: Warner Bros. Television, Werner-Gold-Miller
    EXECUTIVE PRODUCERS: Jackie Filgo, Jeff Filgo, Tom Werner, Eric Gold, Jimmy Miller
    WRITERS: Jackie Filgo, Jeff Filgo
    DIRECTOR: Andy Ackerman
    CAST: John Sloan as Henry, Lex Medlin as Larry, Nat Faxon as Brad, Jamie Denbo as Tina, Beth Lacke as Amanda, Brooke D'Orsay as Heather

    The following comedy will air at mid-season on FOX:
    THE WINNER (Day and Time TBD): A 43-and-a-half-year-old narrator, who is incredibly rich and successful, looks way back to 1994, when he lost his innocence and started to become a man - at the tender age of 32. In 1994,

    GLEN ABBOTT (Rob Corddry, "The Daily Show"), still living with his parents, finally steps out into the world and tries to make something of himself when the only girl he'd ever kissed, the radiant ALISON MILLER (Erinn Hayes, "Everwood," "Kitchen Confidential"), returns to town. Driven by the desire to become a success and win Alison's heart, Glen goes through his "wonder years" a mere 20 years older than, well, most everyone. But it's not in vain, as this unlikely underdog will eventually transform from fear-riddled underachiever to the richest man in Buffalo in a mere five years. Luckily, Glen doesn't have to go though this awkward period alone. He becomes best friends with the only person he can truly relate to: Alison's 13-year-old son JOSH (Keir Gilchrist, "A Lobster Tale"). Josh is a fellow hypochondriac, and they help each other survive "puberty." Glen also receives parental guidance from his absurdly enabling mother IRENE (Julie Hagerty, "Girlfriends," "Malcolm in the Middle") and his supportive but quasi-rage-aholic dad RON (Lenny Clarke, "Rescue Me," "Lemony Snicket's A Series of Unfortunate Events").
    PRODUCTION COMPANY: 20th Century Fox Television
    EXECUTIVE PRODUCERS/WRITERS: Seth MacFarlane, Ricky Blitt
    CREATED BY: Ricky Blitt
    DIRECTOR: Terry Hughes
    CAST: Rob Corddry as Glen, Keir Gilchrist as Josh, Erinn Hayes as Alison, Julie Hagerty as Irene, Lenny Clarke as Ron

    The following unscripted series are scheduled to premiere this fall on FOX:
    DUETS (Thursday and Friday in September, Time TBD): DUETS, from Simon Cowell, pairs established singing stars with celebrities outside the music industry to make beautiful music together by competing as duos for charity. The show will follow the professional singers as they instruct their partners, choose songs and perform duets in front of a panel of judges and a live studio audience. After each episode, viewers will vote for their favorite duets. The winning pair will emerge from the competition in perfect harmony, while the losers definitely will have to change their tune.
    PRODUCTION COMPANIES: Simco, Fox Television Studios
    EXECUTIVE PRODUCER: Simon Cowell



    TALK SHOW WITH SPIKE FERESTEN (Premieres Thursday, Sept. 16, Midnight-12:30 AM ET/PT): TALK SHOW WITH SPIKE FERESTEN may look like a talk show, but it is emphatically a comedy show. This fast-paced half-hour combines traditional elements of the late-night format with bold and irreverent comedy sketches - both inside and outside the studio. Hosted by Emmy-nominated writer Spike Feresten ("Seinfeld," "The Late Show with David Letterman"), TALK SHOW gives the staid late-night format a long-overdue update. Among other things, this refreshing approach to the genre uses guests in unpredictable ways, like delivering the monologue and performing in the comedy sketches. Additionally, the show features a staff of writer-performers, hilarious field pieces and much more.
    PRODUCTION COMPANY: Fox Television Studios
    EXECUTIVE PRODUCER: Spike Feresten
    HOST: Spike Feresten

    The following unscripted series is scheduled to air next spring on FOX:


    ON THE LOT (Day and Time TBD): Aspiring director/filmmakers from across the country will vie for the opportunity of a lifetime when Mark Burnett, Steven Spielberg, DreamWorks Television and FOX join forces on this exciting new unscripted series. Ultimately, one filmmaker will rise above the rest and will be rewarded with a studio development deal, ON THE LOT at DreamWorks. A group of 16 undiscovered talents will be brought to Hollywood and divided into several teams. Every week, each team will produce a short film in an assigned genre, running the gamut from comedies to thrillers, personal dramas to romance, sci-fi to horror. With one member selected as the director and other members helping produce, they'll have access to the best resources the industry has to offer. But with the clock ticking, and other teams working with the same genre or premise, they'll all need to match their vision with decisiveness, execution and flexibility. The competition will air on two nights weekly. The films will be shown and critiqued in front of a live audience during the one-hour "Film Premiere" episode. The judging panel will include a motion picture executive, a film critic and well-respected guest judges. But the filmmakers also will be subjected to perhaps the harshest judge of all the public. It will be FOX viewers whose votes ultimately determine which film should be left on the cutting room floor. On the half-hour "Box Office" results show, the director of the losing feature will be sent home, leaving that team with fewer contestants to help produce the next week's film. As the competition continues and more directors are eliminated, the remaining filmmakers will have to work individually, creating a new film every week until only the most talented individual is anointed the winner, whisked away to the DreamWorks studio, met by Steven Spielberg and shown to his or her new office ON THE LOT. PRODUCTION COMPANIES: Mark Burnett Productions, DreamWorks Television, Amblin Television.
    CREATORS AND EXECUTIVE PRODUCERS: Mark Burnett, Steven Spielberg
    CO-EXECUTIVE PRODUCERS: Darryl Frank, Justin Falvey, Conrad Riggs
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  2. #2
    Captain Harlock's Avatar
    Captain Harlock is offline FOXHOUND revolutionary.
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    Quote Originally Posted by Moto Pete
    FRIDAY
    8:00-9:00 PM BONES
    9:00-10:00 PM THE WEDDING ALBUM

    I wonder why a semi-successful show like Bones is being put on Friday during mid-season, since we all know the Friday slot on Fox is death.
    Quote Originally Posted by Moto Pete
    SUNDAY
    7:00-7:30 PM COMEDY REPEATS
    7:30-8:00 PM KING OF THE HILL
    8:00-8:30 PM THE SIMPSONS
    8:30-9:00 PM AMERICAN DAD
    9:00-9:30 PM FAMILY GUY
    9:30-10:00 PM THE WAR AT HOME
    I don't see the reason for the shakeup on Sunday night. War at Home is one of Fox's most successful shows, and they're pushing it until later? Not sure I understand that move.
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    Sketch's Avatar
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    It's good for Adult Swim if they put AD back at 10PM on Sunday because having AD on FOX at 9:30 was killing the 10PM slot on AS it seems. Though I don't think FOX is out to do AS any favors so it's more likely War and Home is airing later to give 9:30 a boost though I don't believe AD is doing poorly at 9:30 right now either... so yeah I don't know.

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  4. #4
    Ryan227's Avatar
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    Well I'm happy that House is staying at the same time... Even though it probably means when American Idol starts it'll be off the air for a few weeks, that's really annoying! I love Bones, it's too bad it's switching to Friday, I really hate watching TV on Fridays but I'll try. Who knows maybe it'll do great on Wednesdays and Justice will do horrible and they'll realize that it's a mistake to change it But Justice looks kind of good too...

  5. #5
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    You know, I got a good laugh out of that Madtv skit from last year that talked about a bunch of one letter title shows Fox had acquired. I never actually thought it would become a reality.

    Hmmm, I kinda liked it better when the 9:00 hour was taken up by Family Guy and Amercian Dad.
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    TnAdct1's Avatar
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    Quote Originally Posted by Captain Harlock
    I wonder why a semi-successful show like Bones is being put on Friday during mid-season, since we all know the Friday slot on Fox is death.
    Keep in mind that this is the early plan for January 2007. You don't know if Justice will be a hit or not until the show is a hit or not until this fall.

    I don't see the reason for the shakeup on Sunday night. War at Home is one of Fox's most successful shows, and they're pushing it until later? Not sure I understand that move.
    Simple really: it was done in hopes of giving American Dad some better ratings by placing between fellow animated shows the Simpsons and Family (besides, I usually skip The War at Home when I watch Fox's Sunday lineup).
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    FOX's Canceled Shows

    Arrested Development
    The Bernie Mac Show
    Free Ride
    Head Cases
    Killer Instinct
    Kitchen Confidential

    Malcolm in the Middle
    Reunion
    Stacked

    That '70s Show

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  8. #8
    Peter Paltridge's Avatar
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    Wow, they REMEMBERED they had Head Cases on! They only aired that for one week--it was the first canned show of the season.

    They DIDN'T remember they had "Life on a Stick." An equally terrible show that didn't last much longer. Ha ha (Nelson smiley), they have so many cancelled shows that they forgot one!

    The War At Home's new slot makes about as much sense as moving Everybody Hates Chris to 7 pm. But who's complaining? I WANT it to die.

    American Dad BEFORE Family Guy is going to feel weird. I like the crazy to come before the levelheaded.

    The Prison Break/24 pairing didn't last long enough.
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    Samurai's Avatar
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    Only show I'm interested in is Prison Break (damn, gotta see what happens!). And of course, Simpsons, American Dad, and Family Guy.

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    One new truck opera, two new cop shows, a bunch of crappy looking sitcoms, and FOX is trying to get back into the late night wars? I smell trouble.

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    Quote Originally Posted by Moto Pete
    SUNDAY
    7:00-7:30 PM FOOTBALL OVERRUN (COMEDY ENCORES)
    7:30-8:00 PM FOOTBALL OVERRUN (COMEDY ENCORES)
    8:00-8:30 PM THE SIMPSONS
    8:30-9:00 PM AMERICAN DAD
    9:00-9:30 PM FAMILY GUY
    9:30-10:00 PM THE WAR AT HOME
    Beautiful- Now I don't have to change channels before and after War at Home!
    Also.. King of the Hill as a midseason replacement does not bode well for fans of that.
    Great that Stacked and Free Ride was cancelled, I hated those.

  12. #12
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    Only thing that matters to me is Prison Break aong with the Sunday nite line up.
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    Has FOX ordered 13 or 22 episodes for Prison Break? If it disappears after Christmas, (either cancelled or placed on seasonal rotation) they couldn't possibly have enough time for a full season.

    Vanished sounds like another conspiracy thriller. Just what television needs. I guess I'll give that a try.

    I thought King of the Hill got another season? I don't watch the show, so I haven't paid much attention to its timeslot, but it doesn't appear in the upfront, nor in Clown Prince's cancelled list.

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    Burgundy Ranger's Avatar
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    Quote Originally Posted by Temple Fugate
    Has FOX ordered 13 or 22 episodes for Prison Break? If it disappears after Christmas, (either cancelled or placed on seasonal rotation) they couldn't possibly have enough time for a full season.
    It's starting in August so that there's enough play before the baseball playoffs mess up everything.

  15. #15
    Temple Fugate's Avatar
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    Quote Originally Posted by SteveR
    It's starting in August so that there's enough play before the baseball playoffs mess up everything.
    They did that this season, but they still didn't have enough time for all 22 episodes. That's why I'm wondering if FOX only asked for 13. They could always order the remaining 9 to replace a mid-season cancellation, like they did this year.

    IMO, as far as PB is concerned, I wouldn't mind 13 episode seasons...it would quicken the pace.

  16. #16
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    Quote Originally Posted by Temple Fugate
    I thought King of the Hill got another season? I don't watch the show, so I haven't paid much attention to its timeslot, but it doesn't appear in the upfront, nor in Clown Prince's cancelled list.
    Fox will be starting the new season of King of the Hill once the 2006 NFL season comes to an end.
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    I'm glad to see House is staying.

  18. #18
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    Here's part of the conference call with Fox's bigwigs after the upfront that dealt with how PB was scheduled:

    Q: You caused some problems with Prison Break fans last year with the schedule. Did you give any consideration to just running it straight through and letting it end early?

    Peter Liguori (President, Fox Entertainment): We do consider that, we will consider that but one of the great things about the show is that the audience is really loyal to the show. When we had that hiatus they came back as strongly as they had before we left. This year we're designing it with that break in mind. Knock on wood, fortunately the characters of Lincoln and Michael have really struck a chord with an audience and it appears they're following these characters wherever we put them.

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