TMC1982
10-20-2010, 02:03 AM
Surprisingly, I lot of the 1990s era Marvel animated TV shows have not held up well in my humble opinion.:
*The 1994-1998 Spider-Man series was pretty revolutionary with its whole serialized, season-long arc formats. However, it's hard to overlook the annoying censorship issues (such as renaming the Sinister Six the "Insidious Six" and Spidey not being alowed to punch anybody) that Fox imposed (thanks in large part to Power Rangers), adapting the notorious clone storyline (if John Semper made a Spidey cartoon today, we might get an adaption of "One More Day";)), being unable to use Sandman (thanks to a proposed James Cameron Spidey movie that never happened), the now primitive CGI for the New York City skyscrapers, etc., etc.
*Spider-Man Unlimited in retrospect, feels like Marvel's way of cashing in on the 1990s trend of making a superhero cartoon have a futuristic-like setting (just like with Phantom: 2040, The Avengers: United They Stand, and Batman Beyond).
*The Avengers: United They Stand - The whole blatantly toyetic, lets give the Avengers Big Bad Bettleborg-type of armor is the most obvious offender (besides of course, the absence of Iron Man, Captain America and Thor).
*The the first seasons of both the 1990s Fantastic Four and Iron Man series. Thankfully, things dramatically improved for each respective season (giving Tony Stark a Captain Hook-like mullet is what holds Iron Man: Season 2 back however).
I think that the 1990s X-Men series surprisingly holds up (to the point in which you can argue that it's the "definitive" media adaptation) outside of the AKOM produced animation (which kind of has a muddy or dirty look). The 1990s Incredible Hulk cartoon holds up pretty well up until UPN started meddling (wanting to "lighten things up") and subsequently ruining it by making She-Hulk a predominate figure in Season 2.
The MTV Spider-Man series I don't think really holds up simply because it was designed to be in the same continuity as the Sam Raimi movies. Because Spider-Man 2 hadn't come out yet, many members of Spidey's familiar rogues gallery (sans the Lizard, who never mutated in the first three movies) couldn't be used. It would've made much more sense to do this type of show have Spider-Man 3 came out.
The one-shot X-Men pilot ("Pryde of the X-Men") from 1989 is a mixed bag. While the Toei produced animation holds up to this day (I wish that Toei had done the animation for the 1992-1997 X-Men series), it fails from the standpoint of writing/direction and voice acting (e.g. Aussie Wolverine). X-Men is for the most part, a decidedly mature comic book franchise (due to its themes regarding prejudice). However, the producers seemed to want to make a campy, "everything is black and white" hybrid of G.I. Joe (with Cyclops filling the Duke role since they both were voiced by Michael Bell) and Spider-Man and His Amazing Friends.
*The 1994-1998 Spider-Man series was pretty revolutionary with its whole serialized, season-long arc formats. However, it's hard to overlook the annoying censorship issues (such as renaming the Sinister Six the "Insidious Six" and Spidey not being alowed to punch anybody) that Fox imposed (thanks in large part to Power Rangers), adapting the notorious clone storyline (if John Semper made a Spidey cartoon today, we might get an adaption of "One More Day";)), being unable to use Sandman (thanks to a proposed James Cameron Spidey movie that never happened), the now primitive CGI for the New York City skyscrapers, etc., etc.
*Spider-Man Unlimited in retrospect, feels like Marvel's way of cashing in on the 1990s trend of making a superhero cartoon have a futuristic-like setting (just like with Phantom: 2040, The Avengers: United They Stand, and Batman Beyond).
*The Avengers: United They Stand - The whole blatantly toyetic, lets give the Avengers Big Bad Bettleborg-type of armor is the most obvious offender (besides of course, the absence of Iron Man, Captain America and Thor).
*The the first seasons of both the 1990s Fantastic Four and Iron Man series. Thankfully, things dramatically improved for each respective season (giving Tony Stark a Captain Hook-like mullet is what holds Iron Man: Season 2 back however).
I think that the 1990s X-Men series surprisingly holds up (to the point in which you can argue that it's the "definitive" media adaptation) outside of the AKOM produced animation (which kind of has a muddy or dirty look). The 1990s Incredible Hulk cartoon holds up pretty well up until UPN started meddling (wanting to "lighten things up") and subsequently ruining it by making She-Hulk a predominate figure in Season 2.
The MTV Spider-Man series I don't think really holds up simply because it was designed to be in the same continuity as the Sam Raimi movies. Because Spider-Man 2 hadn't come out yet, many members of Spidey's familiar rogues gallery (sans the Lizard, who never mutated in the first three movies) couldn't be used. It would've made much more sense to do this type of show have Spider-Man 3 came out.
The one-shot X-Men pilot ("Pryde of the X-Men") from 1989 is a mixed bag. While the Toei produced animation holds up to this day (I wish that Toei had done the animation for the 1992-1997 X-Men series), it fails from the standpoint of writing/direction and voice acting (e.g. Aussie Wolverine). X-Men is for the most part, a decidedly mature comic book franchise (due to its themes regarding prejudice). However, the producers seemed to want to make a campy, "everything is black and white" hybrid of G.I. Joe (with Cyclops filling the Duke role since they both were voiced by Michael Bell) and Spider-Man and His Amazing Friends.