Ed Liu
10-05-2004, 02:02 PM
Howdy,
On a quest to find anything Brian K. Vaughan has said since the ending of Runaways (a post-mortem/elegy is coming soon, I promise), I found this relatively-recent-but-undated interview with him on Ain't It Cool News (http://www.aintitcool.com/display.cgi?id=17832) (crap for news, but great interviews), where he delves into comics in general, his books in particular (all of them except Swamp Thing), and "writing for the trade."
Consider: the man's written Y the Last Man, Runaways, Mystique, Spider-Man/Doc Ock: Negative Exposure, The Hood, and now Ex Machina. If you read any of those, check out the interview.
If you haven't read any of those, then you MUST HATE COMICS!!! :).
Be aware that he uses some naughty words and talks about some adult topics -- his comment involving Sherilyn Fenn and Barbara Bush is absolutely hilarious and deeply disturbing.
Choice quotes:
"Do you have a "showman" personality as a result of your interest in magic or are you the more typical introverted writer personality?
The only showman in comics is Stan Lee. The rest of us are introverted weirdos."
"Y is sixty issues, that's it. It'll be over before you know it, kids, and then you'll be crying that it went by too quickly. And yes, I know the last panel of the last page. It's 99% preordained, though I do occasionally take some unexpected side trips, especially when Pia comes up with brilliant ideas.
And there are seriously no pains to the process at all. Writing this story has been the best experience of my life.
How do you balance realistic (but potentially boring) dialogue with dramatic (but potentially unrealistic) dialogue?
I don't know. Bendis always says that he goes to the mall to listen to the way kids really talk, but I'm pretty sure he's just a pervert.
Roger Ebert once said Hollywood should try remaking bad movies that had a germ of potential rather than good movies. Would it be fair to say this characterizes what you're doing with Mr. Sinister and Apocalypse?
Absolutely! Thank you for seeing that. I mean, how can you write an "ultimate" Dark Phoenix Saga? Claremont already did it! I'd much rather take characters and situations who didn't quite fire on all cylinders when they were first introduced, and do something new and different with them.
:D
-- Ed/Ace
On a quest to find anything Brian K. Vaughan has said since the ending of Runaways (a post-mortem/elegy is coming soon, I promise), I found this relatively-recent-but-undated interview with him on Ain't It Cool News (http://www.aintitcool.com/display.cgi?id=17832) (crap for news, but great interviews), where he delves into comics in general, his books in particular (all of them except Swamp Thing), and "writing for the trade."
Consider: the man's written Y the Last Man, Runaways, Mystique, Spider-Man/Doc Ock: Negative Exposure, The Hood, and now Ex Machina. If you read any of those, check out the interview.
If you haven't read any of those, then you MUST HATE COMICS!!! :).
Be aware that he uses some naughty words and talks about some adult topics -- his comment involving Sherilyn Fenn and Barbara Bush is absolutely hilarious and deeply disturbing.
Choice quotes:
"Do you have a "showman" personality as a result of your interest in magic or are you the more typical introverted writer personality?
The only showman in comics is Stan Lee. The rest of us are introverted weirdos."
"Y is sixty issues, that's it. It'll be over before you know it, kids, and then you'll be crying that it went by too quickly. And yes, I know the last panel of the last page. It's 99% preordained, though I do occasionally take some unexpected side trips, especially when Pia comes up with brilliant ideas.
And there are seriously no pains to the process at all. Writing this story has been the best experience of my life.
How do you balance realistic (but potentially boring) dialogue with dramatic (but potentially unrealistic) dialogue?
I don't know. Bendis always says that he goes to the mall to listen to the way kids really talk, but I'm pretty sure he's just a pervert.
Roger Ebert once said Hollywood should try remaking bad movies that had a germ of potential rather than good movies. Would it be fair to say this characterizes what you're doing with Mr. Sinister and Apocalypse?
Absolutely! Thank you for seeing that. I mean, how can you write an "ultimate" Dark Phoenix Saga? Claremont already did it! I'd much rather take characters and situations who didn't quite fire on all cylinders when they were first introduced, and do something new and different with them.
:D
-- Ed/Ace